An 8 March in music in Quartu Sant'Elena thanks to a project promoted by the singer and teacher Loredana Sanna who, in the fresco room of the former Capuchin Convent in Via Brigata Sassari starting at 7 pm, will propose an opera concert for soprano and free entry piano.
“Opera Singing Project – Il Canto della Musa”, an event co-financed by the municipal Department for Social and Generational Policies as part of the social cohesion project “Not just November 25th”, represents an initiative that aims to encourage and promote dissemination of the vocal lyric repertoire: a musical form that has deep roots in Italy, the country of "bel canto" recently recognized as an intangible heritage of humanity by UNESCO.
«A specialty to be valorised and promoted continuously, opera and its forms of theatrical representation have their origins as far back as 1600 - explains the creator of the event - The various theaters in Italy and around the world offer a regular annual programme, and our island is no exception, boasting a highly respectable artistic offering with theaters and important billboards."
«The intent, however - continues the soprano - is also to circulate the shows and productions so that they are within everyone's reach and, at the same time, to enhance the countless cultural spaces, redeveloped or which have remained intact within our centers urban, which represent real gems."
“Opera Singing Project – Il Canto della Musa” intersperses the singing performances with moments of artistic-cultural study combined with the illustration of the contents of the repertoire.
With the piano accompaniment of Valerio Carta, the protagonist will be the soprano Loredana Sanna herself, an artist present in the billboards of some of the most important theatrical and musical associations of the island and the Peninsula: already known to the public as an accordionist, oboist and choir director, she was a teacher at the Cagliari Conservatory and a teacher looking for young talents.
She has stood out in the Sardinian concert scene for her eclecticism: from the versatile repertoire that ranges from ethnic and folk music to the most elaborate interpretations of compositions from the baroque, classical, contemporary and modern repertoire.
